you can’t kill us in a way that matters

after “Scars Poetica” by Patricia Smith

by BRIDGET GORDON

somewhere in the city—
in Rogers Park, or Avondale,
in Humboldt Park, or Pilsen—
a trans girl, two years sober and on
HRT, confident enough to
finally wear that dress
I got her for her birthday
is walking home/div>
alone
at night
for the first time
since she found her reason to live
she still carries papers that lie about her
talk smack about her to her coworkers
drag her in the groupchat
over petty high school shit
cold drops of grief fall
from gunmetal clouds
as if the earth herself knows
what’s about to happen
weary, sick with lamenting
sick with geologic ages of trauma
knowing that all her love and all her fury
can fall as dust before some man
with a store-bought hammer
a pair of Ray-Ban Metas
and oceans of grievance
where a mother’s love should be
look at her; bare neck
in backless dress exposed
to a son’s animus
soaked and choking in sorrow
the kind of anticipatory grief
made possible by funding from
The Heritage Foundation
and a lifetime of knowing
that anything that makes this body
this fruit tree of longing in the shape of a girl
into something that may yet bear harvest
can be taken, and burned, and salted
we grow up exhausted by savagery
our chests and hands crumpling, our eyes
dimming until the only way out of the dark
is to stop our own hearts
the hate this world has for us is a muscle
the size of some tacky Florida resort
but it atrophies in the light of the moon
and will one day be broken by the sea
tonight we dip early before intermission
from the theater of our dying. we hold our own lives;
our loves, and our worries, our heart emojis and our breakup texts
the text we send with the first selfie
the day we started hormones, and the text
we send to our chosen sister
to let her know we got home,
against all odds, safe. all I am is
girl. I am small, a shaking hand beneath the waves
I am forty-three years of witness that
love will change your life
but will change nothing else
I write because I can’t run fast enough
because I can tell you the color
of my sister’s bright eyes
without even thinking. (green.)
I write because I text my girl late
to make sure she got home safe
I write
because she answered me

Bridget Gordon (she/her, fae/faer) is a queer trans woman and emerging poet living in Chicago. A former MFA student and sports journalist, her current work with poetry and short-form writing is enraptured with queer longing, identity, and liminality. She has past or forthcoming publications in Moist Poetry Journal, TRANS MAG, Pink Poetry Club, Coin-Operated Press, and Red Rock Review. Fae is the author of the self-published chapbook, the rest is up to you, love, released in Summer 2026. Her debut full-length poetry collection, if you know the color of their eyes it’s already too late, will be published by Raging Opossum Press in Fall 2026. Fae lives with her husband, metamour, cats, a blue electric guitar named Evie, and an ominously large TBR pile.

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"Individuals up to age 42 can now enlist" poem by Nicole Sheperd

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Oil, Collage, and Mixed Media by Frank Zirbel